1.
Subject Area:
Literature: The Art of Poetry
2.
Intended grade
level range: Secondary School – 3rd Class
The English translation of the poem (from Google Books - The Selected Poems of Federico Garcia Lorca):
The sea
smiles from far off.
Teeth of foam,
lips of sky.
What do you sell, oh, turbid maid,
with your breasts to the wind?
I sell, sir, the water
of the seas.
What do you carry, oh, black youth,
mixed with your blood?
I carry, sir, the water
of the seas.
These salt tears,
Mother, from where do they come?
I weep, sir, the water
of the seas.
Heart; and this grave
bitterness, where was it born?
Very bitter is the water
of the seas!
The sea
smiles from far off.
Teeth of foam,
lips of sky.
The original text in Spanish:
El mar
sonríe a lo lejos.
Dientes de espuma,
labios de cielo.
¿Qué vendes, oh joven turbia
con los senos al aire?
Vendo, señor, el agua
de los mares.
¿Qué llevas, oh negro joven,
mezclado con tu sangre?
Llevo, señor, el agua
de los mares.
Esas lágrimas salobres
¿de dónde vienen, madre?
Lloro, señor, el agua
de los mares.
Corazón, y esta amargura
seria, ¿de dónde nace?
seria, ¿de dónde nace?
¡Amarga mucho el agua
de los mares!
El mar
sonríe a lo lejos.
Dientes de espuma,
labios de cielo.
4.
Artwork Title: “Stay”
(painting) and “The ballad of the water of the sea”(poem)
5.
Artist: Aralyn McGregor and F.G. Lorca
6.
Date: 2012 and 1919
7.
Materials: Watercolor and
poetic function of language
“Two and two
are four” but “Two and two are rather blue.” (Koch)
The primary goal of prose is sharing information, but the
primary goal of Poetry is something else. "Painting is
silent poetry, and poetry painting that speaks." (Simonides) I try to
teach the poetic function of language using as an example the poem of Lorka,
“The ballad of the water of the sea”. Students may watch and listen to a mucic
video from “you tube” in which Greek “Onar” and Portuguese “Madredeus” sing and
recite the ballad. I will use a watercolor, an artwork of Aralyn McGregor (SilentMStudio).
It’s called “Stay”. McGrecor notes that much of her work is inspired by other
art forms: poetry, music e. t.c.
I hope that in this “multi-sensional”
way my students may feel the poetic function of language.
Include three
open-ended questions related to the artwork in the sequence they would be
presented.
1.
How would you describe the figure of the painting “Stay”
and the personified Sea of “The ballad of the water of the sea”? Compare your
descriptions.
2.
Which images, sounds, smells and tastes are created in
your mind or/and your soul, when you are looking at the painting, you are
reading the poem and you are listening to the song?
3.
According to Simonides "Painting is silent poetry,
and poetry painting that speaks." Do you agree? If you agree, how or/and why
do you think that the “Stay” is a “silent poem” and “The ballad of water of the
sea” “painting that speaks”? If you don’t agree, say why.
Include 3 bullet points of
information about the artwork that is related to the theme/curriculum
connection.
1.
“Stay”
is a watercolor painting, a portrait of a woman in sea water or a sea water
woman. The personification of the Sea in Lorka’s poem is similar to this
portrait. However, there is a difference as regards the expression of two
female resences: colors, shapes, lines for the woman and words/speech for the
Sea.
- There
is a resemblance referring to the attribution of woman’s figure and the
Sea’s personification referring to the quality of the expressive way. The painting is a watercolor, so is made
of pigments suspended in a water-soluble vehicle. The poem is made of words,
phrases and verbal ways which have to do with the water.
- In accordance with 1 and 2 and as a result of them, the
feeling(s) and associations of looking at this painting and reading or/and
listening to this poem may be the same. Both of them, the painting and the
poem are Art’s forms. So, they are mobilized by the (artist’s) imagination
and mobilize the imagination of the person who is looking at the painting,
who is reading or/and listening to poem.
Include an activity (multi-modal
approach) for this artwork and include the following:
1.
Brief description
of activity: What will the
students do? (i.e writing, drawing, movement)
2.
Directions: How
will you introduce this activity and what directions will you give your
students?
3.
Goals: What are your goals for including
the activity in the conversation?
1. “Creative
poetic writing” – Students will (try to) write a poem using a technique based
on the poetic function of language. They will select some words or/and phrases
from the poem and some others they have to do with the painting. After, they
will combine the words in a “subversive” way, one or/and two of the poem and
one or/and two of the painting, to create poetic phrases. Then they will write
a poem using these phrases and other words in the same way.
2. “Work in pairs and create
your poem!
- Select and write 8 -10 words
from the poem and write 8 - 10 words, which you think that they have to
do with the painting. For example: sea, blood, smiles … (poem)/ woman,
seaweeds, is looking … (painting).Continue …
- Combine the words in a
different way, one or/and two of the poem and one or/and two of the
painting, to create poetic phrases. F. ex.: Sea smiles to the woman/
Blood of the seaweeds … Continue …
- Write your poem using the
phrases you have created and other words in the same different way. F.
ex.: Sea smiles to the woman and the blood of the seaweeds floods the
ocean … Continue …
- Don’t forget! “Poetry is
to prose as dancing is to walking.”
(P. Valery)”
3. My
goals for including the activity: to be my students after this activity
able to comprehend that the
meaning and the sense of the words is modified in the Poetry, because
language’s poetic function isn’t the usual, to combine the words in the
“poetic” way, to be aware of the fact that the imageries (image –
imagery – imagination) are created by this combination of the words, to
create their poems using the poetic function of language, to sense
that Poetry is a form of Art, and Art is
another way to assume the world and the life, because "… if you call
painting dumb poetry, the painter may call poetry blind painting.” (Leonardo da
Vinci) and “All children are artists. The problem is how to remain an artist
once he grows up.” (Pablo Picasso).
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